The Redstone Room at the River Music Experience here in downtown Davenport continues to get a number of great acts to come through the place. The recent Junior Brown show was certainly no exception.
Junior Brown is a Tulsa, OK based guitar player who plays a unique guitar that he invented and calls the "guit-steel" which is one half guitar and one half steel guitar. He perches it on a little stand and just stands there and plays it. I think the thing is abnormally heavy so he can't wear it on his shoulder with a strap.
Junior played the River Roots Live show last August in Davenport. I was probably more excited to see Junior play his manic style of country/rock/rockabilly/blues/surfer music more than any other perfomer there that weekend.
I got to meet Junior back stage for a moment when he first arrived at the event and he was a nice guy, kind of quiet, but very unassuming. In fact, it was kind of funny - a while after I'd talked to Junior after he'd shown up, he was walking along back stage in a golf shirt and a pair of slacks that looked like he'd gotten them at K-Mart. I was standing with Ken Krueger of K-Square Productions, the producer of the event, and I said, "Man, Junior is looking old!"
Ken looked over at this balding, paunched-belly, bug-eyed guy shuffling along and he said, "THAT'S Junior Brown!?! I haven't seen him in a long time. He IS looking old."
Junior was 52 at the time.
But he sure didn't play like he was 52. He is one helluva guitar player. He put on, arguably, the best show of the River Roots Live festival. In fact, he was playing so hard that at the end of one song, he literally ran off the stage. Not knowing what was going on, I jumped up on stage to announce something like, "Ladies and Gentlemen, Junior Brown!" But he'd only played for something like 35 minutes (he was supposed to play for 75 minutes).
Then, I looked over at Ken Krueger and he was holding Junior Brown up off by the side of the stage. Junior sort of nodded his head a couple times and walked back up on stage to start playing again.
I went over to Ken and I asked, "What was that all about?"
Ken said that Junior was so worked up playing that last song (and he was just hammering that guit-steel) that as soon as he was done he had to go compose himself. Ken said, "I asked him if he was all right and he told me that he just had to take a minute to pull himself back together. He told me, 'I'd never done that before.' " He was playing his ass off that day, I'm tellin' you.
Well, his show at The Redstone Room was a little more subdued than his performance at the River Roots Live. He battled sound problems at the start and his voice sounded a little out of kilter at times.
Still, he put on a spirited show with his bass player, Jason Rathman, and his drummer, Pete Amaral. Both played with Junior at River Roots Live last year. Pete Amaral has played with Junior off and on for over 30 years. And Pete's set up is rather unique for a drummer - he just has a snare drum and a ride/crash cymbal. That's it.
I talked to Pete briefly at the River Roots Live show last August. Jason, Pete and I were sort of joking around waiting for Junior to come to the stage before the show and I said something along the lines that my body didn't behave like it used to. And Pete told me that his didn't either as he was "well into my 70's".
Jason Rathman (left)
And Junior's stage set up is one of the most unique of any bands I've worked with over the years. They have absolutely no stage mixing. (They have no stage monitors to listen to what's going out over the P.A. system.) For those of you who have played in bands in the past, you know that is almost unheard of in live performances. When I asked Jason at the River Roots Live fest why they didn't have a monitor mix, he said, "Junior likes it that way." Oh, OK.
Junior's wife, Tanya Rae, used to play in the band for a number of years. She didn't play with him at the River Roots Live event last year and when I paid Junior after the show, I asked him where his wife was. He told me that she was back home in Oklahoma. I asked, "Doesn't she play with you any more?"
He said, "No, she hangs around home and handles the business end of things. My wife and I are better off when we don't play together."
I had a friend from Ames, IA, Scott Cochrane, who actually played bass guitar for Junior Brown on the road a number of years ago. Scott told me that Junior and Tanya Rae would just fight and fight on the road. They'd fight about silly little stuff, Scott said. He told me, "It got so bad that I had to quit the gig after about 4 months. The constant fighting was too much." He said they looked all lovey-dovey on stage, but once they got off, it was a dog and cat fight of biblical proportions.
I asked Junior how he met his wife and he told me that he'd moved from Austin to Oklahoma in the early 80's and was teaching a guitar class at a small college. He said that in one of his classes was Tanya Rae. He told me, "When the class first started out, she was the best guitar player in the group. As time went on, everyone passed her. So I had to give her some special one-on-one lessons, if you know what I mean."
I asked Junior if he remembered my friend, Scott, playing for him and he said, "Buddy, I have trouble remembering the names of the two guys I got playin' for me now. I've had a lot of good musicians play in my band over the years."
Opening for Junior Brown that night was a three-piece surf/rockabilly band based here in the Quad Cities by the name of The One Night Standards. I've heard about these guys and have wanted to see them to possibly get them to play one of the Davenport summer festivals this year.
They were great - surf music from hell. I talked to the guitarist, Scott Haut, after the show and got band information from him. They reminded me a lot of a band Cindy and I saw a couple times in Memphis, The Dempsey's. The One Night Standards did a great job and were fun to listen to.
As an aside - the Redstone Room was packed. It had to be well above the 225 person capacity they list it as. Because of that, there was some infrastructure problems - the time to get a drink at the bar was excrutiatingly long, there were people standing in front of people who had seats, and it was just a little overly crowded.
Still, it didn't detract from the great performance Junior Brown put on. If he comes around again I'm sure that I'd go see him.