I was in Milwaukee recently to call on a couple dealers, but my ulterior motive was to take in some time at the 40th Annual Summerfest along the lakefront at the Henry W. Maier Festival Park.
I hadn't been to Summerfest for about three years. We used to go pretty regularly for a number of years when my cousin, John Wehrle, lived in Milwaukee. But since he's moved to St. Louis, we don't go as much as we used to.
We'd go up and stay at his place and we'd go down to Summerfest with him, sometimes from the time the gates opened to the time they closed the park. He always had tickets in advance, so there was no waiting in lines when we got there. Thanx again, John!
My first stop was to the Marcus Amphitheater to see if there were any Roger Waters tickets available through the box office for his performance that evening. Nope - sold out. There were some unsavory scalpers hanging out asking outlandish amounts for tickets they held. I was going to wait to see if anyone dropped their prices.
In the meantime, I went to the top deck of the Water Street Brewery building to survey the situation. It's on the southern side of the Summerfest grounds, just north of the Marcus Amphitheater. It's always been kind of the "center of the universe" or the central meeting place in the past. I had to go up and have one of their Oktoberfest beers and see what was going on.
Being that it's near the south gate entrance to Summerfest and next to the Marcus, there's always a lot of people watching that can be done from the top of the Water Street Brewery. Here's a picture of people coming in to Summerfest at the south gate.
Having picked up a Summerfest guide on the way in, I noticed there was a Pink Floyd tribute band playing at the M&I Bank Classic Rock Stage - a Chicago area band called Think Floyd USA. Since Roger Waters was playing at the Marcus that evening, the stage area was packed with Pink Floyd fans.
Instrumentally, they weren't too bad. The musicians weren't much to look at, except for the three backing vocalists they had out front and center, which I thought was rather weird. But when they did the classic Pink Floyd song "Pigs", I knew why the girls were out front. The guy who did the singing - the lead guitar player - butchered the vocals so bad that I had to leave. It was such a horrendous rendition that I would have been embarrassed to call myself a Pink Floyd tribute band if I was with the group.
I stopped off at the JoJo's Martini Lounge - the former comedy tent - to see the end of a set by another local band, Hot Sauce. I've seen Hot Sauce a number of times in the past. They're kind of a brass/show band and they do a good job. It turns out that Hot Sauce played the wedding reception of our former neighbors, Eric and Molly.
I then found myself at the Briggs and Stratton Big Backyard watching a "world music" musician by the name of King Ibu. It was OK, if you're into that African/World Music. And judging by the size of the crowd in front of the stage, not many people were.
I walked up the main concourse of the Summerfest grounds stopping to look over the new Miller Oasis area. They've moved the stage area back, made it bigger and added a couple of large screens on either side of the stage so people in the clear back can see the performance - especially when a headliner is playing late at night. That's one of the pet peeves I have about Summerfest. They have a number of permanent benches in front of the stages. When the stage areas get packed late at night, people stand on the benches. Even taller guys like me can't see the performers on the stage if we're stuck in back. That always irritated Cindy, who's a little shortcake. I've always thought they needed to raise the stages by three or four feet. They obviously didn't with the new stage at the Miller Oasis.
I stopped by the Lakefront Brewery booth on the fest grounds to see if they had their Cream City Pale Ale. They didn't. They had three or four different beers that I didn't think I'd like, so I hiked on over to the U.S. Cellular/Leinenkugel stage area.
This was one of my favorite areas to come to for a number of years when Leinenkugel was the sole sponsor of the stage - known as the Leinie Lodge stage. Leinenkugel beer is still served at the little beer area, but it's mostly their Honey Weiss and their new Sunset Wheat - two beers that I really don't care for. I still miss their Northwoods Lager. I opted for an original Leinie's.
Most of the beers at Summerfest were $4.00 for a 16 ounce glass that was filled to about 14 ounces. The "special beers" such as at Water Street, Lakefront or the specialty beers at the Leinie Lodge were $4.50 or $5.00. It wasn't that long ago that $5.00 would get you a couple beers and change.
Playing at the U.S. Cellular stage was a non-descript band from Minneapolis called The Abdomen. Two brothers and a sister. They weren't bad, but they weren't tripping my trigger - kind of laid back rock. I decided to walk next door to the Potawatomi Bingo Casino stage and see what was going on there.
In the past, the Potawatomi stage has usually been the place for the great blues artists to play. I've seen some great acts there over the years - Sonny Landreth, Robin Trower, The Radiators, and Los Straitjackets to name a few. However, they've turned the stage into mostly Country and Western. The band playing - Great Guns, a local band from Milwaukee - was definitely C&W. OK, off to another stage.
Walking up to the Zippo Rock Stage, I noticed a large crowd gathering for the 6:30 show. A local band by the name of Beatallica came on and began to play their interesting blend of music that married portions of Beatles tunes with those of Metallica.
Actually, they were pretty damned good. They were all dressed in these fluorescent trimmed marching band jackets and just tore up the place. Their first song "Sgt. Hetfield's Lonely Hearts Club Band" was a take off of the Beatles' "Sgt. Pepper's Lonely Hearts Club Band", only using Metallica lead singer James Hetfield's name in the title and lyrics. It was kind of funny to see the middle-aged people who must have thought they were coming to see a Beatles tribute band get up after the second or third song. They had one song, "Sandman" that was a mix of Metallica's "Enter Sandman" and the Beatles "Taxman". It was very cleverly done.
I would have liked to have stayed more than the half-hour I was there, but I still had Roger Waters on my mind and I had to hoof it all the way back down to the south end of the grounds to check out the ticket situation with the scalpers.
On my way down, I stopped off at the Miller Oasis as a band was playing a rendition of Bryan Adams' "Summer of '69". They were doing a pretty good job at it. So I stood there and watched them for a minute. The band - Dot Dot Dot out of Chicago - had a girl guitarist and a girl bass player, along with a male lead singer who appeared to be more effeminate than the two girls. They then did a Madonna song - with the guy singing - and I started to walk toward a beer tent. Then when they started in on Neil Diamond's "Sweet Caroline", they completely lost me. It turned out were nothing more than a glorified wedding band.
Then passing by the Harley Davidson Roadhouse stage, I was completely appalled to see a D.J. playing dance mix music! What the hell is going on with Summerfest?! The only time you'd see a D.J. would be after 9 p.m. on the Sentry SportsZone court for the kids who would hang out there. But a D.J. on a music stage? Is this what Summerfest has come to?
By the time I got down to the Marcus, the Roger Waters show had started about 20 minutes prior. The remaining scalpers still had tickets, but they were still wanting $75.00 for $30.00 bleacher seats. I didn't need to see Roger Waters that bad.
I went back to the Water Street Brewery and had a beer, then wandered back over to the Classic Rock Stage to catch some of the Family Stone Experience - three members of the original Sly and the Family Stone, only without Sly Stone. In the long run, they were about on par with the tribute band.
I decided to go back up to the Miller Oasis and see how close I could get to see Heart who was headlining there that evening. But I took this picture of the Milwaukee skyline from the lagoon just on the east end of the Summerfest grounds. It was a nice evening.
As I feared, when I got up to the Miller Oasis, the place was packed. I stood over to the side of the stage toward the back and was able to see part of the stage through all the people standing on the bleachers. This is a picture of the band playing. Had it not been for the new screens on either side of the stage I wouldn't have been able to see the band up close.
I stuck around for about five songs, then decided to head back to the hotel since I had a couple appointments scheduled for the next morning. As I was walking along to get to the shuttle bus area, I passed the Potawatomi Bingo Casino stage and it was packed as country artist Clay Walker was playing. And the Zippo rock stage had Jackyl playing when I passed there. Didn't care to see either one.
The next day, I got down there just after the Summerfest grounds opened. I got up on the Sky Glider to take some pictures. This is a shot of the main concourse looking north. As I said, it was early and there was a threat of rain, so that kept the crowds down. Which was fine with me.
Here's a picture of the Harley Davidson Roadhouse area with the downtown skyline in the distance. You can see the rain clouds off in the distance. I remember asking my cousin John what happens when it rains at Summerfest and he said, "It goes from the World's Largest Music Festival to the World's Largest Wet T-Shirt contest."
Here's every band's worst nightmare. When you're playing and there's more people on stage than there are in the crowd. This is a band whose name I didn't get - they won a local "Battle of the Bands" contest.
But on my return trip on the Sky Glider, they had a few people in the seats to see them. I don't really know if they were all that good or not. I never really stopped to listen to them.
Here's an aerial shot of the new Miller Oasis stage area. They moved the stage back about 75 feet and eliminated the walkway behind the stage. Historically, the Miller Oasis would get some of the bigger crowds and it caused bottlenecks with people trying to walk along the concourse. This gave them more room, but it just means more people can pack in the place.
This is the Potawatomi Bingo Casino area from the Sky Glider. This used to be a small tent years ago. Sprecher Brewery also used to be the sponsor for the stage when they put up the permanent structure. Like I said, they used to have a lot of blues musicians play in the place, but it's mostly country and western now.
For a number of years, a lot of the blues artists that would play in Davenport at the Mississippi Valley Blues Festival would also play at Summerfest. We would pass on going to the blues fest and come up to see a lot of the same bands in Milwaukee. But this year, the only person to play both Summerfest and the blues fest was Bruce Katz who was opening later this evening for Buddy Guy. There weren't very many blues artists at Summerfest this year.
Here's the main gate of Summerfest. It's only $8 bucks to get in if you get there between noon and 4 p.m. during the week. Then it goes up to $15 bucks. There are a number of promotions and ways to get discounted tickets.
After I got off the Sky Glider, I went up to the Water Street Brewery to get a beer. I found the upper deck to be completely empty. This had to be a first in all the years I've gone to Summerfest the deck was empty. I enjoyed a couple beers up there in complete solitude. It was kinda neat.
I went out and walked around one last time. I came across the "sandwich board" at the Chipotle Rhythm Kitchen stage that showed our friends Wicked Liz and the Bellyswirls playing the next day (July 4). It would have been great to see them play, and I could have easily stayed in Milwaukee just to see that, but the 4th of July gets to be sort of crazy at Summerfest. Too many people.
I did catch a band called The Breakfast Klub, a local Milwaukee band that played a mix of 80's and 90's type of dance music. The lead singer, who called herself Miss Honey (right), looked a helluva better than she sang. The band definitely didn't hold my interest, but Miss Honey was fun to look at.
It had been sort of sprinkling for a good part of the afternoon, but around 2:30 it started raining pretty well. Not a torrential rain, but enough to make everything - and everybody - damp. I had hoped to be able to catch some of the great troubador/comic Pat McCurdy at the Potawotomi stage (after they finished with bingo at 3:30 - no shit!). But even though I would have been dry in there, I just decided to head home and beat the rush out of town for the 4th of July.
I don't know - Summerfest just doesn't have the same feeling to it like it did a few years ago. Since longtime director Bo Black (above) was forced out four years ago, Summerfest just isn't the same. Black oversaw the explosive growth of Summerfest during her nearly 20 year tenure as director of the festival. Earlier this year, Black suffered a stroke at her home in Scottsdale, AZ. At Summerfest, they had a big "Get Well" card for people to sign for Bo at the Milwaukee Journal-Sentinel booth. It was already full five days into the 11 day run.
A lot of very good regional and national bands that used to play on a regular basis at Summerfest haven't played there since Don Smiley took over at the director of the event. Smiley has gone on record saying that he wants to make Summerfest smaller - attendance-wise. Attendance at this year's Summerfest totaled around 892,000 - about 81,000 a day on average. Smiley has been quoted as saying 72,000 a day is his ideal goal for Summerfest, giving more "elbow room" to people coming to the event.
And with the lackluster bands that I saw on the side stages during the time I was there, he's certainly doing a good job of keeping the crowds down. I heard a lady remark at one of the stages, "These are a lot of the same bands that you can see any weekend around Milwaukee."
No more will we see annual performers like Deluxury or Those Darn Accordions. Perennial favorite The Love Monkeys used to headline at the Miller Oasis for thousands of people. They were relegated to the small JoJo's Martini Lounge venue at Summerfest this year. Pat McCurdy would play every day at Summerfest - sometimes doing two shows a day. He'd always do an "R" rated show every night at 10:30 at the old comedy tent. He only played 4 times at Summerfest this year. Even the BoDeans didn't appear at Summerfest this year. A lot of the better regional bands aren't playing at Summerfest. It's obvious they're not spending a lot on music, especially with a lot of musical acts I saw.
Summerfest would probably be a large time if you'd never been there before. But after seeing all the changes from what it had been and what it's become (more corporate and less free wheeling), it just doesn't have the same feeling. Still, it's unique and certainly a major destination for music fans. Like everything, things change. You just have to take the time to get used to it. I'll probably go back again someday.
As long as they're still serving beer...