The main stage at River Roots Live this year was set up on Second Street in front of the Ground Transportation Center in downtown Davenport (see map). The size of the stage was a staggering 40' X 40' with a same sized canopy roof on top. We needed that size and then some. We had two big touring acts on Saturday night - The Guess Who and blues guitarist Joe Bonamassa. Both road managers wanted to set up at the same time on Saturday morning. We got it done with a minimum of bruised egos between the two camps.
And as with last year, we combined the annual Rib Fest with the River Roots Live. This year there were only six or seven rib vendors at the festival, and all brought their small setups and secondary crews. We really didn't know what would happen with River Roots Live and the Rib Fest being on the streets of downtown Davenport. We expected the worst in terms of amount of people who would show up.
It turned out that we didn't have to worry. Crowds exceeded an estimated 15,000 on Friday night and over 20,000 on Saturday night. It was almost overwhelming. Well, actually it was for the rib vendors who ran out of everything before 8:30 p.m. both nights. The above left picture is a shot from the top of the parking ramp of the main stage crowd when Foghat played on Friday night. It was just packed both nights. It was actually kind of fun to see.
Because I was doing a lot of prep work before the shows, I didn't have a chance to eat much of the barbecue this year. I did have some ribs and a sandwich on Friday and Saturday from a "mom and pop" barbecue place from around Osceola, IA. All the touring rib vendors were busy and had long lines from the time they'd open around 11 a.m. until they ran out of food. A lot of people were pissed off because people ran out of food. One of the local rib vendors told me that he brought six times the amount of meat for Saturday than he did on Friday - and he STILL ran out of ribs by 6:30 p.m. on Saturday night! It was just crazy.
Here is your handsome stage manager and announcer getting things rolling on Friday evening on the side stage. It worked out pretty well this year as the main stage and the side stage were nearly in view of one another and it allowed people to just turn their chairs or bodies toward one stage or the other to watch the performers. Plus, this year, we were able to use the large "jumbotron" for both stages, allowing people far in the back to see the performances.
The weather, in a word, was perfect for the River Roots Live. We had a lot of rain during set up on Thursday, and it was sort of cool and foggy during the day on Friday. But by the time the first band played at 5 p.m. on Friday, the clouds had burned off, there was little to no humidity and the sun was shining. And it was the same for Saturday.
The main acts this year were Foghat on Friday night, and The Guess Who and Joe Bonamassa on Saturday night. But, in between, there were a number of very good performers who came to play at River Roots Live this year. One of the problems with being the stage manager is that I can introduce an act, then I'm off doing a number of other things behind the stages getting ready for the next act to go on. I don't get to see or hear much of the performances except right at the start and right at the end.
And one of the neat things about being the stage manager is that I get to know the guys from Iowa Public Television pretty well. They've come to River Roots Live for the past couple three years to record the event to be played back on TV in six to eight months. The executive producer, Jerry Grady, is great to work with and he's offered me DVD's of bands that performed for my personal enjoyment. The only problem was that every band that was filmed and recorded on the side stage, the sound was all screwed up. It made the recorded DVD's virtually useless. I understand they won't be able to use any of the performances on their River Roots Live television show this winter.
And that's too bad because there was some great bands that played on the side stage. One of them was Pete Francis, who is a former member of the great indie band Dispatch. Dispatch is renown for having the best selling CD's of any independent band in music history. Pete went by his given name of Pete Heimbold during his days with Dispatch.
Pete and his band were in from New York City for the show. We had some glitches that delayed Pete's performance by 15 minutes or so. I was pretty pissed about the whole thing, because it was clearly our fault, but Pete and his guys were so pleasant and understanding about the whole thing.
Actually, I got to hang with Pete for a while after his show as we were waiting for the bank ladies to get him cash to pay his band. It turned out that Pete had just moved from Boston to New York and was slowly getting settled into his new digs. He was really complimentary of the way we did things on the production side for River Roots Live. He was a great guy all the way around.
Other bands and musicians who played at River Roots Live this year included Goodnight Nurse, a group from Chicago that featured noted Chicago musician and producer, Brian Abraham; and Kris Myers, the drummer for the up and coming jam band Umphrey's McGee (who has played the RRL twice in the past. Their style of music can be classified as electronica jazz, using computers, samplers and electric drums to make their music. In fact, we were about 20 minutes late in getting the band up and going because of problems Abraham was having with his Apple computer. Once they got that all figured out, they were only able to play for about 35 minutes. Thank God it wasn't our fault on that one.
Also playing was Assembly of Dust, a New York-based folk-rock band that was beginning to get quite the name out on the east coast. They were good guys to hang with. It was sort of funny because their leader, Reid Genauer, told me it was the first time they played west of the Mississippi River. I said, "Well, actually, this is the first time you played NORTH of the Mississippi River. The river runs east-west here."
Like most people who grew up learning that the Mississippi River runs north-south, Genauer had a hard time coming to terms that he was actually looking south into Illinois. I said, "Hey, don't worry. It took my wife about four years to get her directions straight because the river runs east-west."
Other bands and artists included Brother Trucker, a roots-based rock band from the Des Moines area; Daphne Willis and Company, a folk-rock band from Chicago that played RRL last year and has been getting some positive national press as of late; and Lissie, a Rock Island native who now lives in California, and who plays folk rock. Her most recent claim to fame is that she and her band opened for Lenny Kravitz on his tour in early 2008. She played solo at River Roots Live and was also accompanied on a couple tunes by local musician Jordan Danielsen (above right).
Local bands also played such as Rude Punch, Head Held High and my friends, Ellis Kell and Andrew Landers, as well as my friends from Jim the Mule. Before the Mule band was to take stage I was ribbing them about their initial performance at River Roots Live three years prior when they opened the festival. They were all so nervous and it was overly evident by the way they were playing. I said, "Don't let your butt holes pucker up like you did the last time you played River Roots Live."
They all laughed and went out and played a great 45 minute set. They definitely acquitted themselves from their earlier RRL performance.
It's fun to interact with the bands before and after their performances. Most of them are a little nervous when they get ready to go on, so I try to joke with them and calm them down a bit. Afterward, when I go to pay the band, they're usually so jacked up that they want to keep playing. Good crowd coming out in beautiful weather will do that.
Usually, I don't get to interact all that much with the big name performers. I do get to hear the shit from the road managers for those artists, however. Actually, I do like working with professionals who are somewhat demanding. However, the road manager for Joe Bonamassa, Warren, was a Class A asshole from the time he arrived with the band at 8 a.m. on Saturday morning until we just sort of had a "come to Jesus" meeting around 11:30. It was pointed out that he was making life more difficult than it had to be. And he was also reminded that even though Joe Bonamassa played last that evening, the band that was paid big money - about three times more than Bonamassa - was The Guess Who. And they were paid big money to bring in the people. I said, "Your job is to hold the younger people in the crowd to keep our beer sales going up to midnight."
Once we got on the same page and he quit being such a penis head, we were suddenly friends for life.
It's interesting that Foghat only has one guy traveling with them - their road manager who also served as their sound technician. The Guess Who had two guys traveling with them - a sound tech and a monitor technician. Bonamassa had five road guys traveling with him, plus a nice young lady who I guessed was Bonamassa's girl friend. I thought it was rather telling in that Bonamassa needed five guys for four guys in his band.
I'd always heard that Bonamassa (left) was somewhat of a prima-donna and a pain in the ass to work with. I was fully prepared after the initial run-in with his road manager to see how Bonamassa would react to having to work around The Guess Who setting up on stage in front of Bonamassa's band's gear. Actually, it turned out that he was fine with everything. In fact, I was introduced to him and we talked casually for about three or four minutes in the backstage area during the afternoon. He was very soft spoken, he did complain a little about starting so late, but he said he fully understood the "festival" concept and how things did get to be a little backed up toward the end of the evening. He was a very nice guy.
After his show, Jerry Grady from Iowa Public Television and I were standing near the back gate area of the backstage. Jerry noticed a guy and two young kids standing near the gate. I excused myself to go do some work in the dressing room trailers and Jerry went over to talk to the guy and his kids. Jerry told me later on that he asked the guy, "Can I help you?"
The guy said, "Well, my kids are just starting to play guitar and they're big fans of Joe Bonamassa. We were just wondering if Joe would be able to come out and say, 'Hi!' "
Jerry went over to Bonamassa's tour bus and knocked on the door. He asked if Joe was on board and the person said he was. Jerry said, "Well, there's a couple of young guys out here that would just love to meet him if he's got the time."
Jerry said it wasn't more than 30 seconds later and Joe came bounding off the bus and went over to see the kids. I was shuttling stuff back on a golf cart and I passed this crowd of people all huddled around Bonamassa by the back gate. He stood there and talked to people for about 45 minutes. I thought it was rather cool on his part to do that. Let's say that any notions I had about Joe Bonamassa being a petulant prima-donna were squelched right then and there.
The guys from Foghat were also very nice guys. Roger Earl is the only original member of the band. Lonesome Dave Peverett and Rod Price have both died. Original bassist Tony Stevens isn't touring with the band. His replacement when he initially left the band in the mid-70's, Craig MacGregor, is still playing with the band. Taking Lonesome Dave's and Price's place in the band are Charlie Huhn, who used to play with Ted Nugent; and Bryan Bassett, whose claim to fame previously was as the guitarist for the 70's disco-rock band Wild Cherry (whose one big hit was "Play That Funky Music, White Boy").
Now, I was sort of leery when I was told Foghat was going to play the River Roots Live fest, given that the core and soul of the group was long gone. But from the first notes they played and all through their set, they just rocked. During their set, I was able to get to the VIP area where I met up with Cindy and our friends, Scott and Marcia Schroeder. (I was able to get them VIP passes for the weekend.) Now, Scott and I have known each other for years and I've always thought him to be somewhat ambivalent when it came to music - especially hard rock. But Scott enthusiastically yelled in my ear, "These guys ROCK!!!"
When Foghat came off the stage before their encore, I was standing near the back of the stage. Craig MacGregor exclaimed, "The people are backed up all the way to that third stop light! There's a shit load of people out there!"
This is what it looked like from the stage before Foghat began to play. It was just a mass of people in downtown Davenport.
I was able to hang with the guys from Foghat for a bit after their performance. Roger Earl told me that he's living on Long Island and has been for a number of years. He said a lot of English rockers from the 70's moved to the U.S. to beat the British tax system. He said in his still thick British accent, "Long Island is home." The guys from Foghat were just thrilled to play River Roots Live and Roger gave me a hug before the band left in a rented van piloted by Roger, himself.
I was also somewhat leery of The Guess Who, given that the two biggest names - Burton Cummings and Randy Bachman - had long disassociated themselves with the group. Only two original members were left - bassist Jim Kale and drummer Garry Peterson. Both Kale and Peterson are well into their 60's and had been having health problems. In fact, we had to have a special seat with back supports for Peterson, who suffers from a bad back and who is not a small man by any means.
But they did a great job. I was really impressed and pleasantly surprised by their performance - or what I saw of it. It turns out that most of The Guess Who gigs are on Saturday nights. That's right - they usually only play once a week at casinos and small festivals. I'm guessing the crowd they played in front of that Saturday night was probably the largest they'd seen in quite some time.
Interestingly, their road manager is also a member of the band - multi-instrumentalist Leonard Shaw. He was a very high strung, nervous kind of guy, always asking questions about time schedules, when they were going to get paid, who would be looking after the band merchandise, who would be come to pick them up at the hotel, etc., etc. But he was a very nice guy. Once he got all the answers he was looking for, he was fun to be around.
The other two members of The Guess Who, lead guitarist Laurie MacKenzie and guitarist, lead vocalist Carl Dixon, were really the spark of the band. MacKenzie's claim to fame was that he was just a good local musician around the Winnipeg music scene - as was Leonard Shaw - and Dixon was the guitarist for an obscure Canadian heavy rock band in the 80's by the name of Coney Hatch.
It appears that both Burton Cummings and Randy Bachman want nothing to do with this incarnation of The Guess Who as we were told before the show that Iowa Public Television couldn't record any of the songs the band played that evening, with the exception of "Shakin' All Over". It turned out all the other songs are owned by either Cummings or Bachman and they don't allow any recording of the songs either via audio or video when The Guess Who performs. "Shakin' All Over", a Johnny Kidd-penned tune, was the first hit the band had in the mid-60's. So that was the only song IPTV could record.
However, the guys at IPTV were also providing the camera shots for the Jumbotron. During The Guess Who's performance, they only showed one camera shot - a long shot of the full stage. You couldn't even see the band on the Jumbotron if you were a couple blocks back. I heard a lot of people complaining (since I'm the defacto "face" of the River Roots Live, being the announcer) and I went into the control room on the IPTV mobile production facility. Jerry was sitting in his chair and I was asking him what the deal was. He told me, "According to their contract, we can't show anything other than the shot from Camera One, with the exception of 'Shakin' All Over' when we can tape it and use other cameras".
However, after the show, Howard, the sound tech guy for the band came up to me and said, "Will, what the f***? How come they didn't show close ups of the band on the big screen?"
I said, "I was told that it was a contractual situation that they couldn't show the band except for 'Shakin' All Over'."
He said, "Who told you that?"
I told him, "Jerry Grady from IPTV."
Howard said, "Where did he get that?"
I said, "From Leonard Shaw, I'm guessing."
Howard shook his head and said, "No, no, no. That's only for recording. They could have easily shown the band in close ups."
I said, "Look, Howard. I'm just going on what Jerry told me. If you want to discuss it with Jerry, he's standing right over there."
Yeah, it was a misunderstanding on Jerry's part. And a lot of people were pissed, but it was over and done with, so nothing could be done about it.
Ah! The politics of the back stage area...
Here's a shot of the crowd during The Guess Who's performance. I had my camera with me, but I was so busy that I never got to use it. I got these pictures from Kyle Carter at Davenport One. I'm still impressed with the number of people who were there.
But it was all free and that brings people out in droves. I was told by one of the sales guys from the local Anheuser-Busch distributor that it was the most beer they had ever delivered for any event in all the years they'd been working with the city, the local blues society or any other organization producing festivals.
In 2005, the first River Roots Live lost about $45,000 bucks. The one in 2006 - the one I didn't work - lost over $200,000 dollars. Last year, we lost about $30,000 dollars - even combining it with the Rib Fest. This year, preliminary audits show that we may have broken even - just on beer sales alone! And there could have easily been more beer sales as the beer tents were inundated with people both Friday and Saturday night, with some lines as long as 30 to 35 people deep waiting to get a beer. I had one guy tell me a few days after the event that he could have easily gotten a beer, then gone back and stood in line, drinking the first beer while he waited to order his second.
While we did have some hiccups with the production of this year's River Roots Live, it came off OK. I wasn't as happy with everything as I was after last year's RRL, but it took a lot of team work to pull off the festival again. Marcy Hyder and Kyle Carter from Davenport One took the lead in getting everything in place. Santo Pullela from The Redstone Room booked the acts and took care of the musical riders (always a pain in the butt to track down equipment for some bands), Scott Rexroat from Rexroat Sound took care of the stage work, sound and lights including the building of the massive main stage. Everything was in place for me to direct who and when and where.
It will be interesting to see if we go back to LeClaire Park next year, given the success of the festival this year. There were some logistical nightmares having it on the streets of downtown Davenport, but there was also an intimacy. I know Marcy is already thinking about next year's event and wondering if we should charge admission like we have in the past. However, I know for a fact that based on the turnout by the large number of people those two days in late August, a number of sponsors have already upped their monetary commitment to the River Roots Live for 2009. And that means more big name acts to play the event.
And that also usually means more headaches for the production team and me...