The 7th annual River Roots Live festival was recently held in LeClaire Park in downtown Davenport and, once again, I was the stage manager/announcer/parking attendant/janitor/paymaster and whatever else needed to be done behind the stage area. I've done River Roots Live for six of the seven years of its existence - the one year I didn't work the event turned out to be a financial disaster, and the Davenport Chamber (now the Quad City Chamber) took over the event and folded it in with the highly popular Rib Fest. The Rib Fest has been going on for 14 years, and I've worked each one of those running the stage area with the exception of the first year in 1998.
It takes a lot of hard work and planning to pull off an event like River Roots Live. After last year's event, our planning and production team was pretty much burned out and we all said, "This is it - we're not doing another one of these."
But Marcy Hyder from the Quad City Chamber called me in March and said, "Well, are you up for another one?"
I said, "Wait a minute! I thought you said you were through!"
Marcy said, "Yeah, I know. I know."
In addition to Marcy heading the planning for the festival once again, we had Kate Benson and Tom Swanson from the River Music Experience booking bands, Ellis Kell from the R.M.E. coordinating the "Junior Jam" sessions, Scott Rexroat from Rexroat Sound (and his very competent and professional crew) doing the sound, staging and lighting again, Kyle Carter from the QC Chamber handling marketing of the event (and who took many, if not all, of the pictures in this entry), and Marcy's assistants Abbey Nagle and Jeanna Trenkamp, along with their summer interns, Kelsey (who I kept calling Ashley by mistake) and Nichole who were all a big part of helping pull off another big event like this. Chris Mandle and his crew handled the beer delivery once again and did a stellar job of helping keep the tubs full of beer. I've also got to give a shout out to Dale Sievert from the Davenport Police Department and Tom Flaherty, Marcy's boss at the QC Chamber, for their efforts in making the event a big hit once again. And I also have to thank Mike and Michele Monfort for their continued great food for backstage catering. Finally, I have to give a shout out to my lovely wife, Cindy, who helped us all out in a lot of different capacities once again this year.
Over the past couple three years, Mother Nature hasn't cooperated with us. Last year, it rained out a portion of the Friday night program. The two years previous to that, flooding in LeClaire Park meant that we had to venture onto the streets of Davenport. (To see my previous entries on River Roots Live, click here, here, and here.) This year, we were back in LeClaire Park and even though rain was a distinct possibility during the weekend, we were pretty blessed with good weather for a large portion of the event. It rained on early Saturday morning - enough to leave mud puddles in some areas of the backstage (I'll talk about that in a moment) - but since it had been so dry, the ground sponged up much of the water and by mid-morning on Saturday, it was mainly sunny and the grounds were mostly dry. It did rain ever so lightly on Saturday night for a brief moment, but we didn't lose any of the crowd and actually it turned out to be a record night with well over 25,000 people in the park. (This picture is just before Blues Traveler hit the stage on Saturday night.)
Since River Roots Live is a free event, the event is predicated upon selling beer to help defray the costs of the event. Lots of beer. And we did just that. I'm not going to give out numbers of beer sales that I heard after the show was over on Saturday night, but I was amazed at how much beer was sold. And I was told afterward that many people were upset that the beer lines were so long that they just gave up and walked up the street to Sippi's and got beer up there and listened to the music from their outdoor patio.
Ribs are still a big draw for River Roots Live. We had six national rib vendors and a couple local guys for the ribfest portion of River Roots Live this year. We had some repeat vendors such as Desperado's, Chicago Barbecue and Texas Outlaws. But one big surprise was Uncle Bub's Barbecue from Westmont, IL, a place that I've eaten at a couple three times before. (To see my entry on Uncle Bub's, click here.) Since I'm pretty busy most of the time around the stage area, I don't get a chance to try much of the barbecue (to my chagrin). But I was able to try some ribs and pulled pork from Big Boned Barbecue, the winners of the "People's Choice" award at this year's River Roots Live/Ribfest. Both were pretty damned good.
This year also featured an appearance by the world famous Budweiser Clydesdales (above right). Chad Pregracke from Living Lands and Waters, a great environmental group based out of the Quad Cities that goes around cleaning up the nation's waterways from all the junk and crap that people throw into rivers, was to receive a large grant from Anheuser-Busch during River Roots Live this year. He was also offered the Clydesdales to use as a promotion and he wanted to have them at the festival. Well, it was a logistical nightmare to have these large animals pulling a Budweiser beer wagon down a narrow street with thousands of people around them. Scott Rexroat and I joked (but were also somewhat serious at the same time) that the whole thing was going to turn into a Clydesdale stampede. But long story short, their appearance came off without any incident.
Music started on a beautiful Friday evening with the local band, the Candymakers (below left), starting things out. Last May, the band won a spot and will represent the state of Iowa in the International Blues Challenge in Memphis next February. I've worked a couple three events with them now and they're good people and put on a great show.
Following the Candymakers, Kevin B.F. Burt and the Instigators from Iowa City came to play on the side stage at River Roots Live. I've seen Kevin (pictured above right) play both with his band and as a solo act for a number of years, but had never met him before. And it's a wonder as it turns out that Kevin and I know a lot of the same people. He did a great job and the early evening crowd really got into his music.
One of my highlights of the Friday night portion of the evening was the appearance of the Kansas City-based blues band, Trampled Under Foot. This band consists of two brothers and a sister who grew up in a household with parents who played blues music in bands around the K.C. area. About four years ago, I just happened to click on Iowa Public Television and there was this band with a male guitarist and a female bass player - both of who played left-handed - who were performing from the Simon Estes Riverfront Amphitheater in Des Moines. I was immediately drawn in, not only because of the music, but because I'm a left-handed guitar player. (I'm not very good at it, but I still dabble from time to time.) It's extremely rare to see a group with one left-handed guitarist/bassist in the band, let alone TWO of them.
Trampled Under Foot consists of guitarist Nick Schnebelen (above left) and his sister, Danielle, on bass, and brother, Kris, on drums (above right). The siblings won the International Blues Challenge in Memphis in 2008 and have garnered a growing following around the U.S. over the past few years. They were all just very nice and easy to work with. They stuck around for a good portion of the evening before they hopped back into their van to head to the East Coast for a round of dates out there.
Speaking of easy bands to work with, the Gin Blossoms headlined the Friday night portion of River Roots Live. Like most national bands that play the festival, I don't have a lot of interaction with the band members as much as I do with the production staff they have. The two guys that I worked with primarily, Brian Allensmith, the Gin Blossoms production manager; and Gary McIntyre, the band's road manager, were great guys to work with. They do around 100 shows each year and both were overly impressed with how professional we all were in regard to getting them up and going from the time they showed up around noon to the time they left about midnight that night. Most of the band members were back at the hotel, but lead singer Robin Wilson hung out a good portion of the day with the production crew. At first, I wondered who this shirtless guy hanging out behind the stage was and I finally had to ask Gary McIntyre if he knew him. He said, "Oh, yeah. That's Robin, the lead singer." I got to talk to him a few times and he was a great guy, down to earth and very unassuming. He did turn into a rock star after the show inviting girls back to their RV/dressing room and wanting to stay there and party with them all night long before I finally had to ask Gary to get him to vacate the grounds. But all in all, they were great to work with.
During their encore, Robin Wilson told the crowd, "You know, we'll do about 80 to 90 shows this year and we have to put this event in our top ten." I was pretty happy to hear that.
Another side story about the Gin Blossoms - Robin Wilson had left behind his iPod Shuffle in the RV they were using as a dressing room. We found it after cleaning it up later that evening and I called Gary McIntyre to let him know we had it . He called me back on Sunday to thank me for picking it up and to give me their corporate FedEx number and an address where to send it. He said, "I just want to let you know that we all had a great time the other night. The guys couldn't stop talking about how well everything went with your festival. It was really first class."
He contrasted River Roots Live to a show the Gin Blossoms did the following evening in Atlanta. "It was a benefit concert that they changed the venue three times on us," he said. "I guess a car dealership had to put up the money after the original promoters ran out of money."
Gary told me that the stage didn't have a roof and, as you can guess, it rained, heavily, an hour before the gig. He said the rain ruined two on-stage amplifiers and half of the stack of amplifiers used to run the P.A. system. Gary told me, "The people running the event were nowhere to be found once the shit began to hit the fan. We had to literally pull the whole thing together by ourselves and the small crew that they had."
Gary told me that our festival was one of the best ones that they've ever played at. He said, "From the time we were booked for your show, before, up and through showtime - and now afterward - it was one of the most organized and easy shows we've ever played. And when it's easy for us, it's easy for the band and they play better." He told me the touring community is pretty tight knit and he sees the tour managers and production managers of a lot of bands all the time. Gary said, "I'll let 'em all know how well you guys do things in Davenport."
A crowd estimated at just over 10,000 people came to listen to the Gin Blossoms on Friday night and, thankfully, many of them stayed to listen to Jason Isbell and 400 Unit. Jason Isbell is the former guitarist with the great alternative rock band, The Drive-By Truckers. Isbell, a native of Northern Alabama, joined the Truckers in 2001 and recorded three albums with them before he split from the band after his divorce from Drive-By Truckers bassist Shonna Tucker in 2006. Isbell has been getting some rave reviews for his recent album, "Here We Rest", and things are beginning to come around for him.
I talked to him at length before and after the show. I told him that I really liked his work with the Drive-By Truckers. He was very appreciative that I brought that up. "When I went out on my own about five years ago, I didn't know where it would end up," he told me. "I had my doubts and things were tough for a long time, but we're finally starting to put it together."
We had an 8 a.m. stage call for the load in for Blues Traveler and I had my alarm set for 6:45 as I was expecting a 7:30 phone call from Gina Thompson, the road manager from Blues Traveler (and the subject of the song "Gina" from Blues Traveler's first album). However at 6:05, I was awaken by the sound of thunder outside my bedroom window. I went into the office and looked up the weather radar on my computer. A large thunderstorm cell was just about to hit the area. And when it did, it poured. We got about a 1/3 of an inch in 20 minutes. Thankfully, the ground was so hard and dry what didn't run off right away was soaked up into the ground.
However, a curve ball had been thrown at us about six weeks prior. The picture to the left is the backstage area behind the bandshell at LeClaire Park. This was taken just as construction was beginning on a new addition to the bandshell that would hold two dressing rooms, a couple permanent restrooms, and a handicap access to the stage area. By the time River Roots Live came about, they had a good portion of the addition up, but the backstage area (that we use extensively during the festival) was a large dirt pile. In other words, we didn't have a backstage area for River Roots Live.
I was actually the one who alerted Tom Flaherty of the QC Chamber to this construction after it had initially started. He said he didn't know anything about it. A few calls to the Davenport Public Works department by Tom also failed to come up with an answer as to who made the decision to allow Russell Construction to begin on the bandshell addition even with three or four more large events coming up in the summer. I found out much later that a guy in the Public Works department, who had a reputation for being somewhat of a turd to work with, authorized the start of construction after the Mississippi Valley Blues Festival ended on the 4th of July weekend. And he did it just before he retired on June 30, so the city couldn't reprimand him as the construction was supposed to begin in September. Or as Tom told me, "This guy gave the city one more big "F You!" before he retired.
Since it was a big dirt pile, Tom authorized the city to come in with five large dump truck loads of gravel - after considerable prodding by Marcy - to cover a large portion of the dirt so we could, at the very least, use part of the backstage area as a drive through to get back to the RV dressing rooms and catering that we placed closer to the river. When the rains came, the water was repelled by the gravel and a couple dirt areas that were still exposed became muddy quagmires. After the show on Saturday night, I playfully went over to Tom and showed him the dry gravel and then a deep, muddy hole that still had water in it from the downpour that morning. I said, "Hey, Tom! Look at this!" I pointed to the dry gravel and said, "Gravel." Then I pointed to the muddy hole and I said, "Dirt. Aren't you glad that you had them bring in gravel on Thursday?"
He sort of put his head down and said, "I know. I know..." Tom's a great guy.
The sun had come out by 9 a.m. when we were setting up Blues Traveler for their show that night. I had worked with Blues Traveler one time before about seven or eight years ago and while the guys in the band were great guys, the road crew was not a likable bunch - well, at least one of the guys was sort of a prick to work with. I got to know Chan Kinchla, the guitarist for Blues Traveler (Chan is in the corner on the far left in picture on right), during their previous visit and it was good to see him again. I reminded him of the time I ran into him at O'Hare Airport in Chicago when I was on my way to Montreal and he had a morning flight that was taking him from Fargo to Cleveland. He said, "That's right! That was right after we played here the first time!"
However, on this pass through Davenport, Blues Traveler's crew were great to work with. Gina was with the band the first time they had played at the bandshell in LeClaire Park and she didn't remember playing there. She said, "When we pulled up, they said we'd played here before. I didn't think we had. But then our bass player (Chan's brother, Tad Kinchla) pulled himself up out of his bunk and looked out the window of the bus. He said, 'Is that a minor league park over there? (John O'Donnell/Modern Woodmen Park is next door.) Yeah, we've played here before.' "
When I told Gina that my memories of working with Blues Traveler the first time around wasn't very pleasant, she wondered what the deal was. I said, "You had a guy that was just a prick the whole time he was here."
Another guy working for Blues Traveler was standing there with Gina at the time and at the same time they both said, "Fisher!" It was the former production manager/sound guy who was pretty high strung. Gina said, "We were getting the reputation of a pretty difficult band to work with on the road. We had to make a change and it wasn't long after we were here before that the band fired him."
Scott Rexroat and I were talking at one point on Saturday night and he said, "Whoever hired these bands, I want to know if the first question out of their mouth was, 'Are you easy to work with?' Because every band we've dealt with this weekend has been great!"
He told me that one of the production guys in the Gin Blossoms had told him the day before that they had fired their long-time drummer about two years ago and had him replaced because he was so difficult to work with. "I guess he was pretty demanding with the local (production) crews and the band was getting a bad reputation within the touring industry because of this guy," Scott said. "It was getting to a point that if a venue booked the Gin Blossoms, they never wanted them back."
I told him the story about the story Gina Thompson had told me about their former production manager that they had let go. The Blues Traveler show from seven or eight years ago was the first time I'd worked with Scott and we've been good friends ever since. He said, "Yeah! I remember that prick! Oh, he was a piece of work."
Music started at noon on Saturday and by that time the sun was high in the sky with a few puffy white clouds. It was still a little humid, but there was a nice breeze out of the north helping keep things very nice. A good-sized crowd had come in early in the afternoon and it just kept filling up the rest of the day. By the time Blues Traveler came on, there were more than 25,000 people in the park. It was just packed.
We had another curve ball thrown at us late in the morning. Chamberlin, a band from Vermont, had their tour van break down on the way to the show the night before and they wouldn't be able to make their appearance later in the day. Kate Benson and I huddled and decided to give the five afternoon bands an extra 10 minutes to play to make up for the 50 minute set that we were going to lose. It actually worked out pretty well. Each band that we told we were going to give an extra 10 minutes on stage were literally ecstatic. To them, playing River Roots Live was a big deal.
One band that I was really looking forward to seeing was the Kris Lager Band, a blues band based out of Nebraska and an act that I'd seen before during a trip out to Omaha a few years ago. I even have one of their CD's in my collection, I liked them so much. The only problem was that they were woefully late getting to the venue. Along with River Roots Live going on, the Quad City River Bandits had a game that evening and it was to feature fireworks. They had their biggest crowd of the season and traffic downtown was a mess. Kris Lager and his band were stuck in traffic. By the time they finally got parked, it was 20 minutes before their scheduled appearance. But with our great stage and sound crew and the fact that they didn't have a lot of equipment for a four piece band, we were able to get them set up, do a line check for monitors and sent them off right at 7:30 p.m.
After he played a blistering set that had people screaming for more music, I was able to talk a little bit with Kris Lager. He said, "I heard you were freaking out that we were running late."
I said, "In all the years of doing an event like this, I've never had a band show up so late. And then we were able to get you guys up and going withing 20 minutes. So, yeah, I was freaking out a bit."
Kris told me later in the evening, "We've done hundreds of festivals like this over the years and I have to say that this is probably my all-time favorite. The crowd, the river being right there, the whole set up. This is first class."
Wisconsin-based Cory Chisel and the Wandering Sons was a band that was scheduled to play River Roots Live last year, but were canceled due to the rain we had on Friday night. Well, just after the Kris Lager Band began to play that particular night, it began to rain - but ever so lightly. Enough that you knew it was raining, but not heavy enough that you were running for cover. And it only rained off and on for about 45 minutes. By the time Cory Chisel and his band took the stage, the little bit of rain caused some major malfunctions with the sound at the festival. He had to play a good portion of his set with feedback issues and sound cut-outs. It was all the Rexroat Sound crew could do to keep it from falling apart. Cory Chisel wasn't too happy with the problems, but it was Mother Nature and not shoddy workmanship that was causing it to happen. Still, he put on a good show, but told me afterward that he was pretty frustrated that the rain played havoc - again - with his scheduled appearance at River Roots Live. "I want to come back next year," he told me. "And I want it to be warm and sunny!"
After the Clydesdales made their entrance with Chad Pregracke on the barrel wagon along with Budweiser executives and people from the local distributor with him, it was time for Blues Traveler. The last time Blues Traveler played, the band all came together on a bus, with the exception of lead singer/harmonica player John Popper (pictured at left) who flew in for the gig. This time, they all came on the bus, but Popper has some pretty peculiar rituals the day of the show. While the band and crew were staying at a hotel over in Bettendorf, Popper was placed in one of the nicer hotels in downtown Davenport. Gina told me, "It's just better for John to be seperated from the band. He goes through all these pre-show rituals and it takes him forever to get ready for a show."
At the last Blues Traveler show I worked years ago, I sensed a little bit of "prima donna" syndrome with Popper as he didn't hang with the band by the side of the stage as they were getting ready for the show. The guys in the band, especially Chan Kinchla, were all great guys, easy going and fun to joke around with. When Popper came out of the bus to go on stage, he had a handler to show him the way to the stage.
This time, Popper showed up with one of our van-driven runners about an hour before the gig. He's had some health issues over the years and Gina said that it's tough for him to get up and down stairs. When I showed her that he only had to go up about seven or eight stairs inside the bandshell to get to the stage, she was happy with that. While the guys in Blues Traveler still milled about backstage before the gig started, Popper relaxed in the bus.
But once they started, he was great. During set up earlier that morning, they had his custom microphone that he uses for both vocals and playing his mouth harp on an old table that looks like he's used for 20 years. I found it to be rather interesting with the volume control and the buttons for his Hammond Leslie bottom that he used to play his harmonica through. I know I was probably committing some sort of sin for a stage manager, but I had to get a shot of it.
After the show was over, the band came off the stage and I happened to be near the bus. Each one of them shook my hand, including John Popper, who told me, "Thanks for having us back. This was a great show."
Later in the evening, one of the guys from Blues Traveler was still hanging around after the show and he went up to Cindy who had a River Roots Live "staff" shirt on. He sort of touched her arm to get her attention and he told her, "Great job. You guys know how to put on a show."
Cindy told me later, "All I could say was 'thank you!' I wish he would have told someone else who worked a lot harder and more hours than me!"
Closing out the 2011 River Roots Live was an L.A.-based rhythm/soul/funk performer Nikka Costa. Last year, we had Grace Potter and the Nocturnals close up the show after Creedence Clearwater Revisited played. Our hope was to keep a good portion of the people in the park up to the midnight closure of the festival. But it didn't quite happen as well as we planned. This year, however, once Nikka Costa and her very good band got to starting as soon as Blues Traveler got off stage, I was simply amazed at how many people stuck around for her set. While a large portion of the crowd filed out after Blues Traveler, there was three to four times the crowd that stuck around for Nikka Costa than did for Grace Potter last year.
And put on a show she did! I don't generally get to see much of the entertainment at River Roots Live because I'm usually so damn busy behind the stage, but I did make it a point to go out to the sound board and catch some of Nikka Costa's act. She had the crowd in her hand. Dressed in a glittery top with spandex pants and high boots, Nikka belted out tune after tune, played percussion, sank to her knees for effect. The crowd was really into her. She was a great performer and I can't say enough about her band. They were tight and on top of it in the hour or so that she played.
When Nikka Costa came off the stage after her last song and the band was still playing, I was there with a flashlight to illuminate the path off the back of the side stage. I said, "That was a great show. But I've got to tell you, you've got one helluva band!"
She sort of laughed and said, "They are very good, aren't they?"
We had very little problems during this year's River Roots Live and some brainstorming directly after the event gave us some great ideas for next year's festival in August of 2012. Tom Flaherty wants the event to get bigger, going after big name bands rather than older bands that primarily tour on their name. I don't know if we're quite ready for that, but as energized (but physically beat) as I was after this year's River Roots Live, I almost can't wait for next year.